2022
Bonneau, A., Pearce, D. G., Mitchell, P. J., Didier, L., Nic Eoin, L., Higham, T. F. G., Lamothe, M. and Arthur, C. 2022. Characterization and dating of San rock art in the Metolong catchment, Lesotho: a preliminary investigation of technological and stylistic changes. 611:177–189.
Green, D. and Bonneau, A. 2022. The essential role of pigment characterisation and colouring materials provenance study for rock art archaeology. The Digging Stick 39(3):7–10.
King, R. S., Bonneau, A. and Pearce, D. G. 2022. ‘They are all dead that I could ask’: Indigenous innovation and the micropolitics of the field in twentieth-century southern Africa. 32(1):137–152.
2021
Arthur, C., Mitchell, P., Mallen, L., Pearce, D., Bonneau, A., Prinsloo, F., Nthunya, P., Mothopeng, L., King, R., Meyer, J. and Nic Eoin, L. 2021. Record-making, research, and removal: mitigating impacts on rock art in a CRM context in southern Africa. The case of the Metolong Dam, Lesotho. 38(4):675–694.
2020
Bonneau, A., Pearce, D. G., Mitchell, P. J. and Higham, T. F. G. 2020. Response to discussion: New methods for direct dating of southern African rock paintings – testing the methods, by Pieter Jolly. 75:164–168.
2018
King, R., Pearce, D., Bonneau, A. and Mallen, L. 2018. Changing lifeways in the Maloti-Drakensberg Mountains, southern Africa: towards a history of innovation and belief in the late Second Millennium AD. 21(1):82–88.
Pearce, D. G. and Bonneau, A. 2018. Trouble on the dating scene. 2:925–926.
2017
Bonneau, A., Pearce, D., Mitchell, P., Staff, R., Arthur, C., Mallen, L., Brock, F. and Higham, T. 2017. The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates. 91:322–333.
Bonneau, A., Staff, R., Higham, T., Brock, F., Pearce, D. and Mitchell, P. 2017. Successfully dating rock art in southern Africa using improved sampling methods and new characterization and pretreatment protocols. 59(3):659–677.
2016
Bonneau, A., Pearce, D. G. and Higham, T. 2016. Establishing a chronology of San rock art using paint characterization and radiocarbon dating. In Gutierrez, M. et Honoré, E. (dir.) :245–251. Nanterre: Editions l’Harmattan.
Hœrlé, S., Pearce, D. G., Bertrand, L., Sandt, C. and Menu, M. 2016. Imaging the layered fabric of paints from Nomansland rock art (South Africa). 58:182–199.
2014
Bonneau, A., Pearce, D. G., Mitchell, P., Arthur, C., Higham, T., Lamothe, M. and Arsenault, D. 2014. Comparing painting pigments and subjects: the case of white paints at the Metolong dam (Lesotho). In Scott, R. B., Braehmans, D., Carremans, M. and Degryse, P. (eds) :319–323. Leuven: Centre for Archaeological Sciences.
Bonneau, A., Brock, F., Higham, T., Pearce, D. G. and Pollard, A. M. 2014. Date la plus ancienne obtenue par la méthode du radiocarbone appliquée directement aux pigments de l’art rupestre sud-africain. In Paillet, P. (dir.) Les arts de la Préhistoire: micro-analyses, mises en contextes et conservation. Actes du colloque «Microanalyses et datations de l’art préhistorique dans son contexte archéologique», MADAPCA, Paris, 16–18 Novembre 2011. Paleo numéro special:61–62.
Bonneau, A., Hoerlé, S., Pearce, D. G. and Pollard, A. M. 2014. Une approche multi-techniques pour la caractérisation des pigments San. In Paillet P. (dir.) Les arts de la Préhistoire: micro-analyses, mises en contextes et conservation. Actes du colloque «Micro-analyses et datations de l’art préhistorique dans son contexte archéologique», MADAPCA, Paris, 16–18 Novembre 2011. numéro special:57–59.
2012
Bonneau, A., Pearce, D. G. and Pollard, A. M. 2012. A Multi-technique characterization and provenance study of the pigments used in San rock art, South Africa. 39:287–294.
2011
Bonneau, A., Brock, F., Higham, T., Pearce, D. G. and Pollard, A. M. 2011. An improved pretreatment protocol for radiocarbon dating black pigments in San rock art. 53(3):419–428.
